Maybe it's because it's The Londoner: Yabu Pushelberg creates theatrical, otherworldly interior at Leicester Square hotel.

©Henry Bourne

Located in the heart of Leicester Square is an outspoken, theatrical hotel standing 30 metres high and 32 metres beneath street level. This is The Londoner, the first hotel of its kind to hit the city.

Designed as an ode to the art of performance, Yabu Pushelberg crafted archetypes of a theatre production's cast and crew to personify spaces within the hotel. Through layers of sky high and subterranean programming, The Londoner echoes Leicester Square's extroverted, playful and alluring voice.

Entry + Reception: The Cinematographer

Responsible for bringing the director’s vision to life, the cinematographer crafts the overarching look and feel of the film. Owning the role of cinematographer is the hotel lobby and reception, which welcome guests and set the mood for their awaiting adventure.

Diagrammatically conceptualised as ‘a box within the box,’ The Londoner’s lobby walls stand parallel to a floating box suspended just above the main entrance to the hotel. Delivering a new approach to the arrival experience, Yabu Pushelberg tucked reception to the side of the ground floor lobby, dedicating an unobtrusive space for guests to check-in remotely by mobile before passing through lobby lounge and bar, where they are greeted by valet and shown to their guest rooms.

Lining the back wall of the check-in area is a series of nooks containing objects hinting at what’s to come - layers of programming across many stories with nods to the surrounding city of London throughout. Keeping a watchful eye above the mirrored check-in island is the production’s grand ticketmaster - a custom floating metallic moonhead created by artist Andrew Rae.

©Henry Bourne

©Henry Bourne

©Henry Bourne

©Henry Bourne

©Henry Bourne

©Henry Bourne

©Henry Bourne

©Henry Bourne

Under the Box – The Stage: The Director

Standing between the main entrance and the remainder of the hotel is the lobby bar. Gatekeeper to guest experience, the lobby bar was imbued with the persona of the director, guiding cast and crew in fulfilling the overall vision for the film’s dramatic and artistic elements.

The lobby’s seating vignettes and gathering areas are treated as a living theatre designed to astonish and seduce. The box-shaped bar nestled under a veiled atrium was imagined with an idyllic, flexible atmosphere. A glowing halo wraps ‘the box,’ creating dramatic definition to a space whose mirrored ceiling loans added spectacle, setting the scene for the cinematic adventure to come.

Whitcomb’s All-Day Dining: The Screenwriter

Opposite check-in and just beyond a reception lounge featuring a fireplace with intimate seating is Whitcomb’s, The Londoner’s all day dining destination. Imbued with the spirit of the production’s screenwriter, the dining room dictates the dialogue, characters and storyline, which evolve as the day progresses.

Two harvest tables transform from breakfast to dinner, bringing whimsy, fantasy and poetry to the space. In the morning, guests are greeted with abundance in the form of buffet-style breakfast extravagance, while in the evening, the tables are pared back to feature decorative gilded facial sculptures that lend character to the space.

The screenwriter’s crafted characters wrap the restaurant in personality, with oversized black and white graphic portraits punctuating the corners of the main dining floor and a dramatic wire sculpture depicting loosely sketched faces protruding from the ceiling, a nod to the screenwriter putting pencil to paper.

The Ballroom: The Publicist

The Londoner houses a ballroom and pre-function bar and lounge, offering hosts an elegantly captivating stage for entertainment and celebration. As a publicist promotes a film and its stars through press and events, The Ballroom is the ultimate venue for shining light on the subject of choice. Grand ballroom is a modern interpretation of the standard hotel staple, distinguished by a single decorative gesture applied as a glowing halo around the ceiling’s perimeter. The lighting feature is elevated to light-as-art as it’s concealed behind a softly suspended curtain of metal mesh.

Preceding the ballroom is a pre-function lounge that wraps the staircase descending through the space. An array of transformable seating vignettes loan comfortable flexibility while an intimate standing bar tucked opposite ballroom is available to serve crafted cocktails. The space meets its intention of unfolding and adapting, offering flexible use and endless choice - a true hallmark of luxury - whilst being wrapped entirely in waved neutral walls of floor-to-ceiling suede.

©Henry Bourne

©Henry Bourne

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©Henry Bourne

The Residence / The Drawing Room, Y Bar & The Whiskey Room: The Visual Effects Supervisor

A floor dedicated exclusively to hotel guests features three distinctive spaces to enjoy a drink, relax and engage, and partake in a truly indulgent experience. Achieving the creative aims of the production’s director, the visual effects supervisor has heavily influenced the hotel’s private mezzanine. Up one floor from the main lobby, hotel guests enter the exclusive level through the Y Bar.

Housing a Y-shaped bar and a pair of banquette style seating, the intimate space is wrapped in wood panelling, neutral by day, but with a surprise to be discovered at night. As the sun sets, vivid illusions appear by way of gestural symbols and characters, which emblazon the walls through artfully backlit red veneer applied as visual effect to the wood panelling.

©Henry Bourne

©Henry Bourne

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GF. Joshua’s Tavern: The Gripsman

Joshua’s Tavern represents a relaxed destination for locals to enjoy a pint alongside a dynamic play on the witty murals from En Viu lining the walls, featuring scenes from the 18th century of Joshua Reynolds, the portraiture artist, who lived on the square. Industrial overhead copper canisters stowing lager and ale combine function and aesthetics for an eye-catching result.

Here lies the rest place of the gripsman - the muscle on set. Leather saddle stools, collapsible side seating and highly polished brass bars and shelves add an industrial bravado to this after-work destination. With fully retractable windows, the interior seating joins with the outside, adding to the welcoming nature of this destination.

©Henry Bourne

©Henry Bourne

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8 at The Londoner: The Performer

Sitting atop the hotel’s extensive programming is 8 at The Londoner, a captivating space dedicated to restaurant, bar and terrace. Upon arrival, thick, dark wood slats stand floor-to-ceiling, revealing glimpses of the dining venue just beyond. Past the host stand, a seductive scene awaits. Spanning the ceiling and partitioning the dining space is a network of intricate roping reminiscent of the ancient and intimate Japanese art of shibari.

At the heart of the floor is an open-air terrace, contained by walls of roping and boasting the power to transfix guests with a suspended sculptural rope installation which hangs above a fireplace.

©Henry Bourne

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Guest Rooms + Suites

Guest room elevators off the main hotel lobby transfer guests to vivid corridors with alternating colourways distinguishing odd-and even-numbered guest room floors. Glossy lacquer doors conceal private vestibules, which stylistically tap into traditional British sensibilities. With a minimal yet applied material palette producing a cohesive effect, methods from Mod era fashion incorporate colour blocking and graphic proportions to each room.

Upon entry, wainscoting wood veneer in contemporary proportions lines one side of the entryway while the room’s adjacent wet area maintains the overall concept of ‘a box within the box.’ The mirror box surface carries out into the corridor creating a visual connection into the room and the illusion of an unending space.

©Henry Bourne

©Henry Bourne

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©Henry Bourne

©Henry Bourne